Tito Puente By virtue of his warm, flamboyant stage manner, longevity, constant touring, and appearances in the mass media, Tito Puente is probably the most beloved symbol of Latin jazz. But more than that, Puente managed to keep his music remarkably clean over the decades; as a timbales virtuoso, he combined bidding over every rhythmic nuance with old-fashioned showmanship — observance his eyes bug out when taking a fighting(a) unaccompanied was one of the great treats for Latin jazz fans. A happy musician, he was also a fine, lyrical vibraphonist, a intellectual arranger, and played piano, congas, bongos and saxophone. His appeal continues to cut across exclusively ages and cultural groups, helped no doubt by Santanas best-selling check versions of Oye Como Va and check bit Los Rumberos in 1970-71, and cameo appearances on The Cosby Show in the eighties and the spud The Mambo Kings in 1992. His brand of classic salsa is gen erally unembellished of swarthiness undercurrents, radiating a joyous, compulsive...If you want to get a unspoilt essay, order it on our website: OrderCustomPaper.com
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